Cover of The Picture of Dorian Gray by Oscar Wilde

4 book recommendations

Books Like “The Picture of Dorian Gray” by Oscar Wilde

Readers remain captivated by The Picture of Dorian Gray for its intoxicating blend of Gothic horror, decadent aestheticism, and chilling exploration of moral corruption. If you were mesmerized by its dark vanity and philosophical duality, your journey does not end here. Explore our curated collection to discover your next unforgettable read.

  1. Cover of Melmoth the Wanderer by Charles Maturin

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    Melmoth the Wanderer

    by Charles Maturin

    Written by an eccentric Anglican curate, Melmoth the Wanderer (1820) brought the terrors of the Gothic novel to a new fever pitch of intensity. Its tormented villain seeks a victim to release from his fatal pact with the devil, and Maturin's bizarre narrative structure whirls the reader from rural Ireland to an idyllic Indian island, from a London madhouse to the dungeons of the Spanish inquisition. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

    Why it's similar

    Both novels center on a Faustian bargain where the protagonist trades moral integrity for extended youth or life, ultimately suffering immense psychological torment and damnation for their corrupt pursuits.

    What's different

    Maturin's novel utilizes a complex, nested frame narrative spanning multiple centuries and continents, delivering overt Gothic terror rather than Wilde's sharp drawing-room drama and aesthetic philosophy.

  2. Cover of Perfume: The Story of a Murderer by Patrick Süskind

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    Perfume: The Story of a Murderer

    by Patrick Süskind

    INTERNATIONAL BESTSELLER • Set in eighteenth-century France, the classic novel that provokes a terrifying examination of what happens when one man’s indulgence in his greatest passion—his sense of smell—leads to murder.

    In the slums of eighteenth-century France, the infant Jean-Baptiste Grenouille is born with one sublime gift—an absolute sense of smell. As a boy, he lives to decipher the odors of Paris, and apprentices himself to a prominent perfumer who teaches him the ancient art of mixing precious oils and herbs. But Grenouille’s genius is such that he is not satisfied to stop there, and he becomes obsessed with capturing the smells of objects such as brass doorknobs and fresh-cut wood. Then one day he catches a hint of a scent that will drive him on an ever-more-terrifying quest to create the “ultimate perfume”—the scent of a beautiful young virgin. Told with dazzling narrative brilliance, Perfume is a hauntingly powerful tale of murder and sensual depravity.

    Why it's similar

    Both novels depict a protagonist who pursues sensory and aesthetic perfection completely unmoored from human morality, resulting in horrific acts committed in service of beauty.

    What's different

    Süskind's narrative focuses on a grotesque, ostracized outcast in eighteenth-century France using visceral olfactory sensations, whereas Wilde focuses on a celebrated, beautiful aristocrat navigating London high society.

  3. Cover of Great Expectations by Charles Dickens

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    Great Expectations

    by Charles Dickens

    'Great Expectations is up there for me with the world's greatest novels' Howard Jacobson. Nominated as one of America’s best-loved novels by PBS’s The Great American Read

    Charles Dickens's Great Expectations charts the course of orphan Pip Pirrip's life as it is transformed by a vast, mysterious inheritance. A terrifying encounter with the escaped convict Abel Magwitch in a graveyard on the wild Kent marshes; a summons to meet the bitter, decrepit Miss Havisham and her beautiful, cold-hearted ward Estella at Satis House; the sudden generosity of a mysterious benefactor - these form a series of events that change the orphaned Pip's life forever, and he eagerly abandons his humble station as an apprentice to blacksmith Joe Gargery, beginning a new life as a gentleman. Charles Dickens's haunting late novel depicts Pip's education and development through adversity as he discovers the true nature of his identity, and his 'great expectations'. This definitive version uses the text from the first published edition of 1861. It includes a map of Kent in the early nineteenth century, and appendices on Dickens's original ending and his working notes, giving readers an illuminating glimpse into the mind of a great novelist at work.

    For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

    Why it's similar

    Both follow a young man’s moral corruption as he pursues status and beauty, using a blend of psychological realism and social commentary on Victorian class and values.

    What's different

    Its tone is broader and more humane, with strong elements of social realism and eventual moral growth rather than the more decadent, tragic arc of Dorian’s downfall.

  4. Cover of A Hero of Our Time by Mikhail Lermontov

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    A Hero of Our Time

    by Mikhail Lermontov

    A masterpiece of Russian prose, Lermontov's only novel was influential for many later 19th century authors, including Tolstoy, Dostoyevsky, and Chekhov. Lermotov's hero, Pechorin, is a dangerous man, Byronic in his wasted gifts and his cynicism, and desperate for any kind of action that will stave off boredom. In five linked episodes, Lermontov builds up a portrait of a man caught in and expressing the sickness of his times.

    Why it's similar

    Both feature a beautiful yet morally ambiguous protagonist whose charm masks inner emptiness, using their lives to examine nihilism, egoism, and the destructive effects of self-indulgence.

    What's different

    Its setting is the Russian Caucasus and its style is more psychological and philosophical, with a fragmented structure and less emphasis on the supernatural or aestheticism.

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